What Goes Up Continues To Find Love

Even after opening in only five markets to mixed reviews back on May 28, What Goes Up continued (and continues) to capture interest and attention. In fact, some are even saying that slowly and steadily, Jonathan Glatzer's film is earning its place as an eccentric cult classic, one that might not have taken hold in the mainstream but has clearly acquired a highly devoted group of fans.

So who are these people? The growing audience seems to be made up of fans who enjoyed strong and unique performances from their favorite actors and those who have really taken to Jonathan Glatzer and Robert Lawson's quirky dramedy.

In the United States, they are people like James van Maanen who heartily recommended the film over Woody Allen's theatrical release of Whatever Works. And beyond the only country that enjoyed a limited theatrical release to date, more than 40 percent of the audience consists of a growing international community.

In fact, as the producers attempt to secure any last remaining rights, online interest in the film is swelling. This week, What Goes Up has three times as much traffic than the week before on YouTube. While Texas, Florida, and North Carolina (major markets missed by the initial release) are the source in the United States; Columbia, Egypt, India, Italy, Mexico, Peru, Saudi Arabia, South Korea, and the United Kingdom round out the most interest worldwide.

Part of the phenomenon can easily be attributed to Insider fans along with some of the most loyal Hilary Duff and other cast fans, including: Hilary One, HD Revolution, Hilary Records, Hilary Fan, Gossip Gander, among others.

What Goes Up also captured attention all around. Despite the unexpected unavailability of cast members leading up to the release, the independent release still managed to capture 14.4 percent of review readers. According to Movie Review Intelligence, the film's review value amounted to $226,000 despite mixed reviews being released early when compared to other films.

On the Internet, What Goes Up fared even better. It was the leading independent release during the week of its opening with 800 mentions every day, 25-50 blog posts per day, and more than one million views on YouTube (between the original account, new account, and fan duplications). Immediately following the release, the film maintained a 70 percent positive sentiment. All together, online interest placed What Goes Up better than most major multi-million dollar motion picture releases, earning ten times the attention direct to public than it did with reviews.

What does it all mean? What Goes Up seems to be one of those rare films that will attract more interest over time, which means it's well on its way to becoming one of those haunting cult classics that will be talked about long after most movies are forgotten. And according to the producers, they are doing everything they can to remember the fans too.

While many questions have been asked as to what is next for the film and soundtrack, time will eventually provide the answers. From the entire Insider team, thank you all for you support as well as some friendships made along the way. Good night and good luck.

R.D. Robb Is No Stranger To Daring Films

It's almost hard to imagine that R.D. Robb, one of the producers of What Goes Up, began his career as the precocious Scott Schwartz who double "dog" dared his classmate to stick his tongue on a frozen flagpole (and was later dared to do the same). But he did exactly that in the 1983 holiday classic, A Christmas Story.

Since, Robb had added more than 20 credits to his career as an actor, director, and producer, before being introduced to the What Goes Up screenplay. Although he was still overseeing production at a company called ZentAmerica, he immediately fell in love with the clever characters and then the undeniable passion exhibited by writer/director Jonathan Glatzer.

"From a creative standpoint, I always look for personal stories, interesting journeys, and nuanced characters. The screenplay had all of that," says Robb. "The making of the film was trying at times, but they all are for different reasons and circumstances. Throughout though, Glatzer was really great with the actors, coming from a background of directing theater."

The effort paid off, with all of the performances in this poignant independent film receiving nods for their contributions in one review or another. Most often described as a dramedy, What Goes Up also presented a different kind of movie making as it captured the chance relationship between a reporter and a group of adolescent social misfits. As perhaps best put by Pete Hammond from Hollywood.com, it "marches to its own surprising beat."

“Life contains both funny and tragic moments. So should any good film, no matter what the genre,” Robb said. "In a film like What Goes Up, it needs to strongly address both elements, but the comedy needs to carry us to make the tragedy work and pay off. It’s challenging to find that balance in tone, especially because there is a fine line.”

While the fine line of presenting a fishbowl glimpse of life seemed too daunting for some, What Goes Up has since captured a growing cult-like following of fans who appreciate the steady pace of the film. In fact, many of these fans say they are surprised at how the movie has a stronger and stronger impact with each new viewing. Robb attributes the repeat allure to the actors.

“It was great to work with so many talented actors in What Goes Up,” Robb said. “They were all so smart, talented and intriguing in their own right. Personally, I really related to Campbell’s character with all of his struggles, fears, and dilemmas.”

Part of reason, Robb recalls, is because he vividly remembers the events that led up to the shuttle tragedy in 1986. They were not watching the television because his English teacher chalked it up as just as another shuttle launch and there was work to be done. That all changed when a second teacher entered and handed her a note.

"The look on her face was sheer horror," Robb said. "She then told us there had been a tragic accident and pulled out the television. It was on every channel, and we all watched in shock. English didn't seem all that important any more."

The parallel, minus the hometown build up as seen in the film, is striking in that writer/director Glatzer and writer Robert Lawson never dwell on the shuttle tragedy. While the pending disaster might loom in the background, they offer an anti-climax that is much more true to life. While not every critic imagined it, people are often caught up in individual struggles that seem larger than life. And then, something suddenly and unexpectedly happens that overshadows all of it and forces us to grow.

The same could be said for Robb's work on this film. As a Hollywood veteran who has worn so many hats in the film industry, he says every new project strengthens his resolve and passion for film. Every project, he says, has encouraged his growth as an artist and a businessperson. And, What Goes Up is just one more brilliant stop in his film career.

In truth, "stop" is not the right word. Robb's newest project, Triple Dog, is already in post production. He is also working on a sports film about the triumph over tragedy for one high school football team in Pennsylvania; a dark comic noir film called Killer Joe, written by Pulitzer Prize winner Tracy Letts; and looking forward to working on a horror/thriller from the creators of Boogeyman, which is expected to be produced by James Hoke and Tony Miranda.

"Hey," Robb muses over the prospect of working with Miranda and Hoke on a film set in Las Vegas. "There are only two executive producers in Vegas for me, baby.”

Along with the executive producers of What Goes Up, Robb has long list of people he wants to work with in the future. They include: Daniel Day Lewis, Carey Mulligan, Sean Penn, Kate Winslet, Stephen Fears, Chris Young, Paul Greengrass, Michael Mann, and Anthony Mandler. And while this "short list" might cause some to wonder if any of them have been influential on his career, Robb says that honor will always belong to someone else.

"Oh, that would be my mother," smiles Robb. "She's encouraged me and supported me every step of the way." All the way, up.

What Goes Up Adds Boston And Brooklyn

Shortly after respected critic Jeffrey Lyons (WNBC) backed What Goes Up on Lyons & Biles Reel Talk and said he liked the film, the executive producers of What Goes Up made the decision to announce the opening of two more screens on June 5.

The new cities, Boston and Brooklyn will be introduced as several screens in Chicago, Los Angeles, New York close on June 4.


Brooklyn, New York — Playing June 5 - June 11
Cobble Hill Cinemas
265 Court St
Brooklyn, NY 11231
718-596-9113
Cobble Hill Theatre

Boston, Massachusetts — Playing June 5 - June 11
Somerville Theatre June 5 thru June 11
55 Davis Square
Somerville, MA 02144
617- 625-5700
Somerville Theatre
For a complete listing of times and locations for What Goes Up, please visit the current schedule.

Behind The Film 'What Goes Up'

For Jonathan Glatzer, winning the best film award for 'Prix Fixe,' a 28-minute short released in 1997, must seem a lifetime ago on the day before his full length feature film What Goes Up is shown at the Pacific Design Center before opening in six major cities.

Back then, he had directed Oscar nominee Douglas McGrath and Tim Blake Nelson. This time around, he directed a cast of brilliant performers including: Steve Coogan, Hilary Duff, Olivia Thirlby, Josh Peck, Molly Shannon, and a dozen other young and talented actors.

"Being around this young cast, I felt younger and much older at the same time," recalls Glatzer. "Younger because they brought an energy and commitment that has not been dampened by cynicism; older because sometimes I had to act like the mature one on the set. But only when I absolutely had to."

According to Glatzer, the script, which he originally worked on with Robert Lawson as a stage play, had a long history of what some might call moments of maturity. While it attracted champions, the number of characters and locations called for a bigger budget than many producers and studios would have considered from a first-time director.

And then, even after the financing was locked, it became even more challenging than Glatzer expected. The result, two weeks before principal photography, was a tight budget and fewer shooting days. It took some additional tenancy for the first-time executive producers at Three Kings Productions. And, of course, the cast.

"It all came down to having a truly great cast, talented and deeply cool, to make it possible for us to accomplish this film," says Glatzer. "When your budget has you by the edge of a knife, your cast makes the difference. Their performances were all wonderful."

The cast originally came together in a few short months, with Coogan being among the first to meet with Glatzer after reading the script. Duff, who was recommended by John Cusack, came on after noting a personal connection between herself and Lucy. And Shannon joined after hearing how she had enamored Glatzer during a screening of Mike White’s “Year of the Dog.” He still insists she should have been nominated for an Oscar.

"When I saw Olivia Thirlby’s audition tape, I was completely blown away; I still am," he said. "And Josh Peck, who was originally cast as the character Fenster, is one of the best, if not the best, actors of his generation."

Nearly everyone agrees. Many reviewers, even those who have been hard on the film, have given props to the performers. Even more so than reviewers, the film's first outing at the Buffalo Niagara Film Festival won the "Audience Award."

"I think they walked away with what I wanted them to ... love for the characters, but the kind of love you might give begrudgingly because they are not without flaws," he said. "Just like this film, there is no ‘wrapped with a ribbon’ resolution or perfect plans or moments of unadulterated triumph."

Glatzer says that if there is any message, then it must be exactly that. There is pain, he says, not only in loss, but in every interaction between us all. He believes that is one of the reasons we look for heroes; each of us is trying to find ideas that are larger than ourselves, even if that sometimes means disposing of inconvenient truths.

It happens in everyday life, he says, and on the grand scale. It happens with groups of young people, in their teens, just like those brought to life in the film. Sometimes, kids have one adult in their lives who shines. But if they die, it leaves a crater in their lives that needs to be filled with whatever seems within easy reach and most convenient.

Glatzer began his career in theater as a director, staging productions at such venues as the Oxford Playhouse in England, Shakespeare Theatre in Washington D.C., and The Ensemble Studio Theatre in New York. He then moved on to work as a writer for Touchstone Television, Fox Television, Warner Brothers, Good Machine, and Industry Entertainment.

In addition to film, there is another interesting footnote on Glatzer's resume. He was an alternate for the U.S. men's fencing team for the 2000 Summer Olympics that was held in Sydney, Australia.

Glatzer will also be featured this Friday in an extended First Look video.

Anthony Miranda Talks What Goes Up

Probably the most common question I've been asked since our first public showing at The Buffalo Niagara Film Festival was "if you could do anything over again, what would you do?" I never have an answer, because I do not believe in doing anything over.

We learn from every event in our life and everything happens for a reason. To do over any one thing would change the series of events that have occurred and would affect this wonderful journey we are traveling.

I mean, why would I want to miss out on the amazing experience at The Buffalo Niagara Film Festival? It far exceeded my expectations to say the least. I never expected a proclamation from Buffalo Mayor Byron Brown that declared May 8 as Anthony Miranda Day. But he did. And it was overwhelming.

The best way I can describe it is to say “you really had to be there." Yeah, I know it's cliche, but because of all the support from Buffalo we not only sold out one screen — but two screens!!! When that happened, all of the local news channels covered the event. We had a VIP list that ran up well into the hundreds. The positive energy in the lobby was evident to everyone. And what was really hours, felt like mere minutes. I will remember it for the rest of my life and that's not easily said.

I've been a professional musician my entire life and taught percussion on the college level since 1980. I was 22 years old when I first taught college, and taught privately before that. I've had many unforgettable moments in my life, performing with Gladys Knight, Johnny Mathis, Robert Goulet, Milton Berle, Natalie Cole, and Madonna. Add to that several hundreds of recordings for television and film over the past 25 years.

The difference between being an executive producer and a musician or composer is tremendous. When in the recording studio working on music for film, you are one component in the entire movie.

The music in any film is clearly very important but is just one piece in this complex movie structure. As executive producer, you have to deal with every component from beginning to end. We’re lucky to have had James Hoke on board. He made it easy!

Of course, I had the opportunity to enjoy the best of both worlds. The music selection was mainly chosen by Jonathan Glatzer. However, when composing, for example, the rooftop cue, I had some ideas in mind. So I recorded them in the studio and sent the wav files over to Jonathan.

We fine tuned the tracks based on what he was looking for and then repeated this process with the marching drum cadences as well. Of course, composer Roddy Bottum did the underscore for the film. Working with him was amazing. He is such a great talent and a wonderful person. Things just flowed and happened.

One of my other favorite moments, working on the film, was the feeling of the final wrap of the production. It happened on a Saturday morning, after a very long, cold night of shooting.

I was able to enjoy the moment with my partners James Hoke and Joe Nahas; my daughter Lindsay Maureen was there too. For the soundtrack, there was another one.

It was when “I heard the news” (pun intended) that Hilary Duff made the commitment to record “Any Other Day” for the film and soundtrack. David Parker and Lenny Silver of Amherst Records worked so hard in making the entire soundtrack a successful reality. I am very grateful for them believing so strongly in What Goes Up.

I am also grateful for those talks I enjoyed with Molly Shannon on set and that warm smile Hilary always seems to carry around with her. And, I’m also grateful that I had an opportunity to use my Fingerstix invention for the soundtrack. They really create a whole new dimension in sound and creative expression, which was important for a film like this. I included a link to an old clip in this post to give you an idea of what can be done with them. Enjoy it!

All in all, the entire event has been like riding one of the highest, fastest roller coasters around. There are some amazingly fast ups and downs, thrusts left and right. You really cannot predict any of it, but you always want to get back in line and do it again!

We’re lucky, I suppose, because even though it felt like a down a couple days ago, we’re racing back up again. For that, I credit the genius of James Hoke. He keeps the challenges to the minimum and solutions to the maximum. On any independent film, you really need that to keep it together. He keeps it together. Him, and the fans.

I’m grateful to be able be able to share a little slice of my experience with the film and soundtrack with all the people who visit the production. Thank you all for jumping on the roller coaster with us. To me, you are the best!

What Goes Up - Promotional Round-Up

Just as Campbell Babbitt (Steve Coogan) learns something from a group of high school students, the producers of What Goes Up are hoping to learn something from fans! And to do it, they are pleased to announce several upcoming and running promotions around the Web. All of them are designed to learn from and reward fans for their personal contributions to the theatrical release of What Goes Up.

What Goes Up: Facebook Group Contest

Recruit five friends to the What Goes Up Facebook Group and you could win a movie poster, signed by the executive producers. As the group grows, we'll be adding more prizes. For details, visit our Facebook event page. You must be a member of Facebook to participate.

What Goes Up: BlogCatalog Exclusive

Create your own promotional material — video, music, poster, shirt, banner, poem, craft, re-enactment, or whatever you can think of — for the film What Goes Up and post it on your blog. You could win DVDs, soundtrack CDs, and posters, all signed by various artists and members of the cast. For details, visit BlogCatalog. Must be a member of BlogCatalog to participate.

What Goes Up: Hilaryfan.com Exclusive

Make something or do something that demonstrates you are an ultimate Hilary Duff fan and then share it on the forum and/or elsewhere on the Internet. You can do anything so use your imagination. For details, visit Hilaryfan.com. Must be a member of Hilaryfan.com (and anyone under age 18 must ask for the permission of their parent or guardian).

Upcoming Promotions On The Horizon

The producers have two more promotions that will be announced later this week. One includes a grand prize to win two tickets plus airfare/hotel to attend the theatrical premiere in Los Angeles on May 28 (open to participants anywhere in the world). The second will be to win a one night public theatrical screening for your hometown plus ten tickets for friends (open to participants in the U.S. only). Stay tuned for details.

In addition to these promotions, there may be more surprises in the days ahead, including — Insider Team rewards for fans that range from signed movie posters to more tickets to attend the Los Angeles premiere (for those who live in the Los Angeles area). Several members of the cast will be at the Los Angeles premiere as well as the festival premiere this Friday.

A Message From James Hoke, What Goes Up

When I first started working on What Goes Up, I had no idea the amount of time and dedication it would take. Like so many people with hundreds of movies making up my home collection, I assumed making a 2-hour film wouldn't take too much time.

Well, it did. And it has been the most incredible experience of my life, and I've gained a new appreciation for this business.


Something else happened that I didn't expect. As a hands-on executive producer, I quietly sat on the set during the first few weeks of shooting. But after awhile, given the long hours together, I become someone else. I wasn't just the executive producer, but a member of the team. I started having a lot of fun with the cast and crew. We had to have fun because things change all the time on the set.

They change all the time after the wrap too. So I hope all the fans of Steve Coogan, Hilary Duff, Josh Peck, Oliva Thirlby, and Molly Shannon appreciate that. As we invite you to join us and hopefully work with some of you to make this film the success it deserves to be, some things we share might change at the last minute from time to time. So just know that we're going to be working hard to do our best, and we'll be listening to you every step of the way.

We have high hopes for this film, especially given the performance by Hilary Duff, who I enjoyed getting to know because she is such an amazing person. (She's also generous with her time off camera for people like me, who are big fans too.) I also had a great time with Josh Peck and really enjoyed working with Max Hoffman. (They are really crazy guys!) Well, let's be real. I enjoyed everybody and could fill a whole page with appreciation, but that's not why many of you came by.

What Goes Up's first public appearance will be at the 3rd Annual Buffalo Niagara Film Festival. If visit the site, you'll see that they already have us up as a Special Festival Premiere at 7:15 p.m. on Fri., May 8.

To give you an idea of how fast things change, I had a different date last night. And you never know. It might change again!

We're not going to stop there. Shortly after the festival, we'll start rolling out the film in several major markets in the United States. Right now, we're planning a theatrical premiere in Los Angeles and then have plans to be up in theaters in cities like New York, Chicago, and Las Vegas. There's several more cities in the works; and we'll be releasing the schedules just as soon as we can. We'll also be releasing promotions that will be very exciting for everyone.

With enough support behind this film, it is possible that we could be in every major market in North America by the end of June. Sure, I know what fans are saying. What about the June 16 DVD release?

The way I see it, we have two options. SPE Worldwide and Sony Pictures Home Entertainment are fantastic people! I know in my heart that if What Goes Up takes off, then they will work with us to either hold off the DVD release or allow us to play the film in theaters past the DVD release date. But those are details that we just can't guess about right now, and anything is possible.

Our Insider Team also tells me that there are dozens of people sending in e-mails asking about releases in specific countries. With so many distributors, it's impossible to know their exact plans.

Most often, distributors in other countries follow right after a U.S. release. We've been told that's what some intend to do. If there is any way we can help you encourage those distributors to put it in theaters, we'll let you know. (For fans in Brazil, Germany, Italy, Poland and the United Kingdom specifically ... hang in there! As we learn details, you'll learn details too!)

For all Hilary Duff fans, I know there is something else on your mind. As I confirmed yesterday with our lead "Insider," there is a new original song by Hilary Duff. It was written on the set and recorded in November.

You'll have more details from our friends at Amherst Records about the song and the soundtrack release as soon as we do. Right now, they are working on those details as I write this post. The song is called, and I hope I'm not sharing this too soon, "Any Other Day." You'll love it.

There are some other things ahead you might like to know about. Every week, we'll be featuring interviews and guest posts from the cast and crew. This includes Steve Coogan, Hilary Duff, Josh Peck. among others. We'll also be adding more pictures to the Flickr account, which you can feel free to share. You're welcome to repost any of the stories, articles, and posts from this blog. All we ask is that you link back to the source to help us along and help people find it.

Two days ago, we also made a decision to share a few scenes from the movie on YouTube. And, we'll be announcing a new What Goes Up fan group on Facebook in the days ahead. Anyone who has already written to the What Goes Up Insider will be receiving an invitation this weekend. Members will also be allowed to post links related to What Goes Up to their fan sites and blogs.

I hope you do. Because from time to time right here, we'll be giving shot outs to fan sites and blogs covering our film right here. We may be able to arrange interviews (probably via e-mail, but you never know) for some supporters.

As for shout outs, I have a couple for early supporters: Arieanna Schweber at Hilary News, Hilary Duff Digital, and everybody at the Hilary Fan Forum. I also understand there is a fan group for OMG ... Josh Peck on LiveJournal. Thank you!

Also, always feel free to ask questions or share ideas in the comment section of this or upcoming posts. You have my promise, along with Joe Nahas and Anthony Miranda [Three Kings Productions], that we'll do our best to keep answering them. Everyone — from the crew to the cast — is on board! I hope you are too.